Observational Variations on Existence

Jun T Lai's crater rich stainless steel art piece, ropes nearby pieces in a kinetic dance of distortion and a liquid redoing  like a flat kaleidoscope. She calls it Non-Existence, but I think an observant piece like this might be variant of Cogito Ergo Sum, but maybe this is an instance of Video Ergo Sum?

Go directly to White Rabbit in Chippendale to see for yourself.

Manhole Covers at 45 Degrees South

Wind blown lake-side sedges seemingly winnowing something seminally Japanese, what the double 's' might be?  A sibilance of lake and leaves, an assurance of storm storage, a winter snow stop, spring shower, summer stormwater course? Queenstown thanks for getting down to the ground with art.

Cloud Nine Berries

In April I walked the Milford Track, setting out deliberately blindsiding the prospect of getting up and over the 1km rise of McKinnon's Pass, as heights give me the heebie-geebies.  While others were extolling me to take in the view, and preferring to pass up on extra vertigo, I looked at around my feet quite keenly. These sweet pink-tinted berries, white inside were the best of offsets; low ,insignificant and delicious, grounding one might say.

When is Chair Like a Plate of Spaghetti?

An Arne Jacobsen chair elaborated with rope from a show of chairs at the National Gallery of Victoria this July - yes, I know I'm behind hand.  The loops and cascades and casings of string bring to mind a bridal excess and perhaps a comment on the tied-upness of the bridal parties. Or how much spaghetti one might spill in a lifetime of culinary fallout?

Return of the Light _ Milfording

Goethe reported last words  'More light, More Light ',  seem lucidly pertinent when taking in Milford Sounds palpable display of sun beams, with its inference that if light is physically manifest we are all made of light, or spare parts from old stars.
In any case, the Treasure in back on deck.